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February 2008

February 29, 2008

The Hindu Business Line : Plough-back time

Link: The Hindu Business Line : Plough-back time.

The banana farmers of Jalgaon want more “permanent solutions” from the Finance Minister rather than just loan waivers                                                                           

 

                                 
                                                
                            Kisan’s share: Jain Irrigation Systems Chairman Bhavarlal Jain (extreme right) at a farmers mela.                                                     
                                           

Rasheeda Bhagat

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It’s Budget time once again and though not as voluble as corporate India, India’s farmers are expecting a huge bonanza from what is perceived an election-year Budget.

In the Jalgaon belt of Maharashtra, the man who has pioneered drip irrigation in India and can take credit for the popular farm slogan in this belt — jaha keli waha nali (where there is banana there is a tube), has a simple an swer for the continuing distress of Indian farmers. “For the lot of farmers to improve, the policymakers need to be farmers… but they are from Harvard and other business schools, where they don’t teach farming.”

Bhavarlal H. Jain, Chairman of Jain Irrigation Systems Ltd, comes from an agri background; last year his company clocked a turnover of Rs 1,200 crore (this year’s target is Rs 1,800 crore), but he has never lost touch with farmers. At the lush green Jain Hills, the company’s headquarters in Jalgaon, about 400 km from Mumbai, he greets a group of farmers led by V.K. Mahajan, who has bagged an award from the All India Banana Research Institute. Jain sets great store by direct contact with farmers; “my doors are always open to farmers, traders, dealers. For me, talking to them is a rejuvenating experience. I’ve cut short layers of bureaucracy and am in direct contact with them.”

He feels that if Indian agriculture is to grow at a robust rate like other sectors, “we need a farmer prime minister, and you know we’ve had only one farmer PM who was thrown out in no time.”

In 1985 after seeing the benefits of drip irrigation while attending an exhibition in the US, Jain introduced the concept to India, though scepticism was all he got from the policymakers; today 54 other players have come into the field of micro-irrigation but Jain Irrigation enjoys a nearly 50 per cent market share.

In a bid to provide integrated agricultural services, Jain has set up Gurukul, a spanking training-cum-hostel facility for farmers. A busload of farmers from Nanderbad, about 180 km away, has just come in for a five-day training; “we’ll teach them about water management, drip irrigation, hi-tech cultivation like tissue culture and fertigation (injecting fertilisers through drip),” says V.B. Patil, Senior Manager (Agronomy and Training). For a nominal charge — paid by the Agriculture Department — these farmers will stay in the hostel, which can house about 100. For the company the training makes business sense; apart from selling them the drip system it can procure their quality produce for its food-processing division with an annual capacity to handle nearly 58,000 tonnes. It makes juice, juice concentrates, pulp, dehydrated onions, peppers etc.

                Double yield                                                                                                          

Patil says 98 per cent of banana in Jalgaon district is under drip and along with tissue culture has helped double yield from 15 kg per plant to nearly 30 kg; some like Mahajan even manage 35 kg. “In cotton we have put over 10,000 hectares under drip in one district; drip irrigation has a 30 per cent annual growth rate and covers over 60 different crops — fruits and vegetables, sugarcane, coffee, rubber, cotton and tea and we educate 10,000-15,000 farmers on the need to embrace modern technology,” he says.

While most Indian farmers don’t want to move away from rice, “in Maharashtra many farmers have switched over to value crops such as fruits — grapes, banana, oranges, mosambi, chiku — and commercial crops like sugarcane and cotton.”

Mahajan cultivates nearly 100 acres — half his own and the other half leased — in Wakod, about 60 km from Jalgaon. He also grows cotton, juwar, etc. and for Jain irrigation he is a brand ambassador, being the first banana-grower in this region to embrace drip technology in 1990 as the water table went down. This was done gradually; the cost of putting drip irrigation in one acre is Rs 15,000, of which half comes from the government. Starting with 5,000 banana plants, today he grows over 50,000, each acre taking about 1,500 plants. Says Mahajan, “Unless Indian farmers are helped to use the latest technology, they cannot prosper as technology helps you extract maximum benefits from the land.”

He is a large and prosperous farmer and a savvy one at that, with meticulous records of input prices, labour cost and profits for the last 10 years. Of his three sons, the eldest, a graduate, helps the father, the second is a software engineer working in New York and the youngest is a third-year MBBS student. While the eldest uses a swank mobile phone, the youngest has an imported Japanese motor bike. Even while indulging them, the father frowns on such expensive habits.

Commenting on the distress of Indian farmers, particularly the small and marginal farmer, he says that apart from lack of encouragement and incentives from the government, changing aspirations and lifestyles are also to blame. “The media focuses all the time on globalisation and luxuries; and what is shown on TV we want in our home the next day. But with what the land can give us, can we afford those luxuries? Agar hamari aadatey badal gayi tau hamey bada nuksaan honga (if we change our habits, we’ll suffer). Agriculture can give us a comfortable life but not the kind of glamorous life shown on TV. Professionals in cities earn Rs 30,000 or 50,000; we can’t live like them.”

Vasantrao Mahajan, an M.Sc in agriculture, and secretary of the All India Banana Growers Association and the Maharashtra chapter of Farmers Forum of India, agrees. He owns 10 acres and is passionately involved in helping small farmers with transfer of technology to improve yield. “In my village and district 99 per cent of banana cultivation is under drip,” he says.

But convincing smaller farmers to adopt modern water management techniques like drip or sprinkler irrigation is not easy. Prakash R. Khodpe is a large farmer and Jain Irrigation dealer for drip irrigation systems in Neri, 20 km from Jalgaon. His younger brother is constantly travelling around this region trying to educate the smaller farmers — with landholding of 5-10 acres — to change to drip irrigation. “We help them get finance and show them the advantages of drip, and slowly they are responding. Last year we got 500 farmers to go in for drip and they are happy with the results, as the water they need is cut by half,” says Khodpe. Whether it is Khodpe or Sajay Patil and Kishore Pawar, who are his friends and associates, all of them admit that it is now more profitable to grow banana than cotton and are slowly switching over. “We are also looking at floriculture, as that will give us more profits,” says Khodpe.

But Mahajan admits that not all farms are smart enough to switch over to new technology and more profitable crops. He rues that while the other Indian sectors are growing rapidly agriculture is stagnating, and challenges the government to find out why. They do believe that the farmer should get more for what he grows “but the problem is that even if prices go up a little in food, the general public start screaming, and koi bhi party ho, government ko jeena hei logo ke vote sey (be it any party, its government survives only on votes),” says Mahajan.

                Budget relief                                                                                                          

So do they expect major relief for farmers in the budget?

“They are saying ki karja maaf karengey (debts will be waived), but that is only a temporary relief. To really help the farmer, pay him higher prices for what he grows,” says Vasantrao.

Though what is incensing them at the moment more than Finance Minister P. Chidambaram’s plans, is “Railway Minister Lalu Prasad’s decision to cancel railway wagons for transporting banana.” This year, points out V.K. Mahajan, has been a terrible year for banana as it is afflicted by a vicious disease, “the worst in 50 years”, which will destroy half the crop. “Kum daam tau kisan saha jata hei (the farmer can somehow bear lower rates) but when his crop is damaged he is devastated. Do you know about 2 lakh labourers are linked to the banana economy in this belt? If some factory/industry that gives such employment is in trouble, doesn’t the government bail it out? Then why does it not come to the rescue of farmers in troubled times when their crop is damaged by pest or disease,” he asks.

Vasantrao explains that the Railways has levied a penalty of Rs 15 lakh for cancellation of nine wagons in December 2007, “but this is normal and happens every year. This year a lot of banana crop was lost to disease and the Railways have cancelled remaining wagons and since December 17, farmers have been moving bananas to the north Indian markets by trucks at exorbitant prices.”

Mahajan adds that penalty is not the issue; “we’ll pay it somehow. But they have to understand that this is the only fruit that is transported round the year and every year banana-growers use 125-150 racks, and sometimes a few wagons are not used and till now cancellations were allowed. This year only 18 wagons were cancelled; after all, this is not a factory product and fluctuates with more or less rain. How can they apply goods traffic rules on farmers?”

As we talk, parts of Maharashtra are gripped by violence thanks to Raj Thackeray’s diatribe against north Indians. Perhaps with this in mind, Mahajan warns that of the 70,000-odd hectares under banana cultivation, 50,000 hectares are in the Jalgaon belt. “Almost all the farmers’ roti-rozi (livelihood) is linked to the banana. Look, till your hand or leg doesn’t ache you don’t realise its importance. People here are peaceful because banana gives them livelihood, but if this economy is disrupted by any insensitive act by the Railways, trouble might erupt.”

                Farmers are not diplomats!                                                                                                          

Bhavarlal Jain has his own take on the neglected agri sector. “The problem is that farmers are not diplomats. They cannot speak good English or any other language. All they can do is toil. And their culture is based on hard work; sweat is all they can offer. They can’t offer you a smooth delivery in English or a slick World Bank presentation to borrow more.” But a positive, he adds, is that Agriculture Minister Shard Pawar is an exception and “he has retained his contact with the farming community”.

On the expected Budget proposal to write off debts, he says, “Per se, the policy of making farmers debt-free looks very good but cannot be a long-term solution. It cuts into your culture; you’re telling them to borrow and not pay. You can waive the interest component, give them instalments drawn over long years —10 – 20 years— to pay the principal amount but the basic tenet that if you borrow you must pay back, must be maintained. But unfortunately we look only at short-term policies.”

Another problem, Jain adds, is that of delivery; “even if you have the money and a credit line, and a prime minister and finance minister who understand the right priorities as we do have now, the agriculture sector is unable to accept or absorb the allocated money because of lousy delivery mechanisms.

His take on farmers’ suicides: “The heart bleeds… the farmer who is supposed to be the foundation of your civilisation is driven to suicide. It never happened before and is happening now because the gap between the haves and have-nots has widened. This will lead to unrest and the younger generation moving away from farming, as is already happening. But money cannot feed you, can it?”


                Defying cliches, customs                                                     

                                                    
                                 
                                                
Dreaming big: Zainab with mother Nafisa (left). RASHEEDA BHAGAT                                                     
                                           

                                                     She certainly does not fit the stereotype image of a farmer from Madhya Pradesh. But at 28, Zainab Sabir Husain is virtually running the agri-business of her father, and this includes growing cotton, chillies and wheat on the family farm of 50 acres in Badwani, near Indore, which has the good fortune of having the Narmada flow by.                                                      But Zainab, a postgraduate in chemical science with specialisation in pesticides and agro chemicals, is a young woman in a hurry to adopt modern techniques of water and soil management, cropping patterns and switch from traditional patterns of agriculture to the more profitable horticulture and even floriculture. She lives in Jalgaon with her grandparents; "I sent her here as a child because education standards are better; she was very bright and I wanted her to study," says her mother Nafisa.                                                      A member of the Krishak Samaj, she has been in touch with Jain Irrigation Systems for the last five years. "As a student, I did my project in drip irrigation and got the model from them. I am now ready to switch to drip irrigation in a gradual manner," she says. Meanwhile she also wants to do her PhD in floriculture.                                                      The only daughter of her parents, as a child Zainab would go along with her father to their fields as well as to the shop where he sells agro products like pesticides and fertilisers. As ill-health plagued him, she gradually took charge, and now sees a great future in "growing fruits like chikuand sitafal as they consume less water." But V.B. Patil, Senior Manager (Agronomy and Training), Jain Irrigation, urges her to go in for banana with tissue culture as "it is more profitable. And you must look at floriculture too; we'll organise your training, the future lies only in such crops."                                                      Interestingly, Zainab has never thought of shifting away from agriculture to any other profession; "I certainly see a future in farming in India, provided we keep up with the latest technology and innovate all the time."                                                      But isn't there pressure from her family to get married?                                                      "There is, from my grandparents, but my parents have backed me; and till I finish my PhD, no marriage for me," she grins.

February 25, 2008

Indian Stock Market: Tulsi Extrusions to List today

Link: Indian Stock Market: Tulsi Extrusions to List today.

Equity shares of Tulsi Extrusions, a manufacturer of agricultural polyvinyl chloride (PVC) pipes and fittings, will be listed for trading at the bourses today (Feb. 25, 2008).

The initial public offering (IPO) of the company received moderate response from investors which was subscribed 2.08 times. The company received 11.85 million bids as against issue size of 5.70 million shares. The company fixed issue price at Rs 85 a share compared with price band of Rs 80 to Rs 85 a share.

Almondz Global Securities helped the company to raise funds via this public issue.

Tulsi Extrusions was incorporated as a private limited company on Sept. 16, 1994 and converted into a public limited company on Jun. 05, 1995. The ISO 9001:2000 certified company has a product list including soil waste and rain water pipes and fittings; polyvinyl chloride pipes, molded and fabricated fittings; linear low density polyethylene pipes; ASTM pipes; casing pipes; high density polyethylene pipes; and elastomeric sealing pipes. The three manufacturing units are located in the Jalgaon district of Maharashtra with a total installed capacity of 10,483 MTPA PVC pipes and fabricated fittings. The products are sold under brand name Tulsi.


February 19, 2008

Indiantelevision.com > News Headlines > B.A.G Films and Media's Dhamaal 24 launches 3 stations

Link: Indiantelevision.com > News Headlines > B.A.G Films and Media's Dhamaal 24 launches 3 stations.

MUMBAI: B.A.G Films and Media FM venture Dhamaal 24 has launched at Ahmednagar, Jalgaon and Jabalpur, taking the total tally of its nationwide stations to nine.

                  

Dhamaal                     24 is already operational in Hissar, Karnal, Patiala, Simla,                     Muzzafarpur, Ranchi and Jabalpur.

                  

B.A.G                     Films and Media CSO Amit Ray said, "Maharashtra belt                     had already been successfully penetrated with the Dhule station.                     With Ahmednagar and Jalgaon also operational, Dhamaal 24's                     footprints in the sector will get further emboldened with                     its regional mix of jock talk as well as play list. The purely                     Hindi station of Jabalpur will experience programming tailor-made                     for the region."

                  
                  

Dhamaal                     24 programming head Shailja Naqvi said, "All these stations                     are going to follow full-bodied programming with all daily                     bands running full throttle. Shows like Morning Alarm,                     Mid-day Masti, Love Ka Fever Check and Ladies                     First will ensure that the regional tastes of the audiences                     are suitably catered to.

Aquila juggles with a football akeli

Link: Aquila juggles with a football akeli.

Mumbai, February 18 For the last two years, Aquila Paul seems to have remained the sole torch bearer for football in Jalgaon. At the age of 20, though she plays basketball and hockey at the national level, she admits that her heart is with football. Attending a state selection camp at Mumbai’s Cooperage ground, Aquila is once again brushing up her footballing skills after not having being in touch with the sport for a few months. The only thing she is confident about is her fitness.

Looking at Aquila, the tough, tomboyish looks are far more than misleading when she bleats about having no one back home to practice with. Aquila says, “I started playing five years ago when I was in ninth standard, but after school all the girls stopped playing. I did not lose hope and used to practice with the boys, but they too were soonlured away to flex their muscles and gave up football.”

Most of her time after college goes in practicing basketball and hockey as the coaches insist that she is good at it but after that, she is left alone looking at the football trophy that her school awarded her after her first nationals. From that time onwards, it has been her prized possession and the two have been inseparable. She says, “Though I dribble with the ball alone, but it won’t help me in the long run.”

Sincerely wanting to play for India, Aquila does not know how she is going to realise that dream. After playing in three nationals, she feels that Manipur and West Bengal are invincible and explains, “The entire India eleven are from this area and hence it gives me jitters when we play against them as I feel like we are playing against the India team .”

As Aquila has turned 20, she is losing out on patience to play for India and says, “When I’m at home, I don’t get to learn much. I catch up soon as there is a national camp”. These camps ignite her fire to play for the country but she says, “As soon I reach home, I’m back to normal playing more of basketball and hockey”.


February 18, 2008

Ajanta Caves: Marvel of Buddhist religious art

Link: I n d i a P o s t . c o m - Ajanta Caves: Marvel of Buddhist religious art.

Ajanta Caves, designated as a UNESCO World Heritage site, holds masterpieces of Buddhist religious art, considered the finest examples of architecture. These historical manmade caves containing paintings on the walls and ceilings primarily depict the life of the Buddha before his enlightenment. The caves are located 100km northeast of Aurangabad, the nearest railhead being 55 km north at Jalgaon city of Maharashtra, India.

The golden age of Buddhism began with the conversion of Emperor Ashoka into the religion in the 3rd century BC. Around 2nd century AD Buddhism split into two sects, Hinayana and Mahayana. The caves at Ajanta which cover both the systems, belong to two distinct phases of Buddhist rock-cut architecture, separated from each other by an interval of about four centuries.

They were created out of hard rock with the barest of implements and served as monastic retreats for Buddhist monks, scholars, pupils and artists. The caves which were found to be continuously used or lived in from 200 BC to about AD650 were rediscovered in 1819, by a group of British soldiers who stumbled upon these cultural treasures overrun by foliage, many of them clogged with debris.

The 30 rock-cut caves with incomparable beauty, are cut into the steep face of a horseshoe-shaped hillside, silent but for the birdsong from the nearby Waghore River. The caves, some of them unfinished, are of two basic designs called 'Chaitya grihas' and 'Viharas'. Five of the caves (9, 10, 26, 29) are Chaityas (Buddhist cathedrals) while the other 25 are Viharas (monasteries). Chaitya grihas were halls of worship - large, rectangular chambers separated by rows of pillars into a central nave, surrounded by aisles on three sides, for circumambulation during prayer, with a sanctuary opposite the entrance.

The Chaityas are decorated with sculptures and murals depicting the many incarnations of Buddha. Viharas or monasteries are rectangular shaped halls with series of small cells attached on two sides for the dwelling of monks. Among them, the earlier group belongs to the Hinayana sect (2nd century B.C) and the latter group, to the Mahayana sect (A.D. 450 to 650).

Many of the caves are dark inside and without a light paintings are hard to see. A lighting ticket has to be purchased on production of which the cave guards turn on the lights for you to see the paintings. Many of the paintings still glow in their original colors.

The outer walls are covered with sculptures. The art depicts the elegant timber-built interiors of spacious palaces, halls, peopled by bejeweled princess and princesses, retinues of attendants, mendicants and market places, celestial musicians and fur capped foreign emissaries on unknown missions. War-horses in colorful trappings, monkeys, peacocks and elephants and host of other images dominate the world of these unknown artists.

Ajanta paintings are more correctly tempera, since they are painted on a dry surface. The paintings were executed after the rock walls were coated with a 1cm thick layer of clay and cow dung mixed with rice husks. A final coat of lime was applied to produce the finished surface on which the artist painted. These beautiful paintings have survived time and still make the atmosphere very vibrant and alive. The contours of the figures leave the visitor spell bound.

Cave 1, the most beautifully decorated of the Ajanta caves, has some of the best preserved paintings. Magnificent array of colors, hairstyles, poses and costumes can be seen in the paintings. A verandah surrounded by several smaller cells and porches at either end, has three doorways leading into a pillared hall which has sculptures and narrative murals. The paintings of women, Jataka scenes etc cover the hall walls. Paintings of Bodhisattvas with headdresses flank the antechamber doorway in the middle of the rear wall.

The most popular among them is of Bodhisattva Avalokitesvara and Bodhisattva Padmapani in a pose of spiritual detachment, (one with lotus in his hand). These paintings reveal the true mastery of the artist and a relief carving of four deer's is also a wonder of this cave. Bodhisattva Vajrapani with a crown of jewels on his head is another well known portrait of cave 1.

Cave 2 is a late 'Mahayana' vihara remarkable for its ceiling decorations and murals narrating the birth of Buddha. The painted ceiling is decorated with murals as well as geometric and floral patterns. The mural scenes include a number of 'jatakas' and events surrounding the Buddha's birth such as a scene of Buddha’s mother standing in the garden at Lumbini showing his birth, Gautama being held by his mother and taking his first steps, and '1000's of Buddha's', a large painting which illustrates the miracle when the Buddha multiplied himself to confuse a heretic.

Cave 3 was never completed. Cave 4 is the largest monastery at Ajanta and is supported by 28 pillars. The verandah has eight octagonal columns, with cells at both ends. Although it was never completed, the cave has some fine sculptures, including scenes of people fleeing from the eight great dangers to the protection of the Buddha's disciple Avalokitesvara and depicts a man and woman fleeing from a mad elephant, a man giving up his resistance to a tempting woman etc. An inscription records that Buddha image in

Cave 4 was the gift of some Abhayanandi who hailed from Mathura. There are large unfinished Buddha images in the cave.

Cave 5 is also unfinished but the door was completed. The door points to an early date with heavy, curvilinear figures and low-relief 'makaras'.

Cave 6 is the only two storey vihara at Ajanta. The lower level is a pillar hall, to support the upper level; inside is a seated Buddha image with his feet squat on the base with an intricately carved door to the shrine. Stairs from the lower level lead upstairs to a hall surrounded by cells with fine paintings on the doorways. Although incomplete, the cave provides an insight to the importance of shrines.

Cave 7 has a large porch. It has an unusual design of verandah with two porches each supported by heavy sculptured octagonal Elephanta-type columns which leads directly to the four cells and the elaborate shrine. The central shrine houses the usual arrangement of Buddha and Bodhisattvas.

Cave 8 is a small vihara.

Cave 9 a chaitya, dates from the Hinayana period. It is a large liturgical hall, with a monolithic stone stupa carved from the living rock. The vaulted room was once wooden ribbed and leads back from a huge 3.4m arched chaitya sun windows which throws light on the stupa at the rear. Two Buddha figures from the Mahayana period on either side of the entrance are painted.

Cave 10 is said to be the oldest cave dating from 200 BC filled with Buddha's and dominated by an enormous stupa. It is a chaitya hall with an apsidal-ended interior. There are paintings from the Hinayana and Mahyana periods. The 'Shadanta jataka', (1st century BC) a legend about the Buddha, is depicted on the wall in a continuous panel. The indentations in the floor near the left-hand wall were used for mixing paint pigments. Traces of later Buddha figures are seen on the columns and aisle ceilings. The cave also preserves a number of inscriptions.

Cave 11 has a verandah and roof painted with birds and animals, flowers, a hall supported by four heavy pillars and a stone bench running along the right side. The high plinth and parapet of the exterior are decorated with railings. There are five cells and a shrine of a seated Buddha. The Buddha in shrine of cave 11 is one of the earliest images at Ajanta.

The important fact about this Buddha is that, it is attached to a stupa. This indicates a compromise between stupa worship and image worship and shows the transition from the earlier Hinayana to the later Mahayana Buddhist phase of worship.

Cave 12 and 13 are small viharas belonging to the earlier phase at Ajanta. Their facades have completely collapsed, exposing their interior square cells with rock-cut beds. The doorways in cave 12 have arched motifs connected by friezes of railing motifs.

Cave 14 was planned on a grand scale, but was never finished and can be missed along with cave 15 which is a long hall with a Buddha carved out of the rock.

Cave 16 is one of the largest and later monasteries at Ajanta. Some of the finest paintings can be seen here. The combined media of painting and sculpture adorn the dark interiors. There is a fine view of the river from here. Two welcoming elephants guard the entrance. The 'Teaching Buddha' is seated on a lion throne teaching the eight fold path.

The most interesting feature of cave 16 is the painting of 'The dying princess', representing Sundari, the wife of Buddha's half brother, Nanda, who left her to become a monk on which an art critic commented, "For pathos and sentiment and unmistakable way of telling its story, this picture cannot be surpassed in the history of art". This is one of the finest paintings at Ajanta. Nanda features in several other paintings, including one of his conversion by the Buddha.

Cave 17 has the finest as well as the largest number of murals at Ajanta. They include beautiful women flying overhead on the roof, while carved dwarfs support the pillars. On the left of the verandah of cave 17, is a row of amorous couples in varied styles of dress and coiffures above which is a row of seated eight Buddhas including Maitreya, the next Buddha to come under the respective Bodhi tree.

One of Ajanta's best known images shows a princess, surrounded by attendants, applying make-up. In one, there is royal procession, while in another an amorous prince plies his lover with wine. In yet another panel the Buddha returns from his enlightenment to his own home to beg from his wife and astonished son. Other favorite paintings include the scene of a woman applying lipstick and of a princess performing sringar. The ceiling of the Cave 17 porch is very elaborate, and beautifully executed.

Cave 18 is basically a cut-through to Cave 19 from Cave 17. It has a little of merit and can be missed.

Cave 19 is one of the two Chaitya halls belonging to the later series with many paintings and sculptures. It is carved with pillars, a monolithic carved symbolic stupa and images of the Buddha which heralded the introduction of the Mahayana phase. There is a standing Buddha on the tall stupa. The stupa itself is crowned with an umbrella that nearly touches the room. This cave is amongst the best surviving examples of a rock cut Chaitya griha.

Cave 20 is a small vihara and has rock-cut beams carved into the ceiling. The animals, fish-tailed figures, and lotuses are all reminders that this ceiling, like the others at the site, depicts a lotus-lake. An antechamber protrudes into the hall. The verandah columns and brackets are delicately carved.

Cave 21 has several large viharas which remain unfinished and has a fallen verandah with flanking chapels. The walls have relief carvings. The porch carving is refined and nearly complete.

Cave 22 is incomplete but the pillars are elaborate, with beautiful yakshi brackets.

Cave 23 would have been the largest vihara at Ajanta if it had been completed but the doorway is beautifully carved.

Cave 24 shows how they were constructed-long galleries were cut into the rock, and then the rock between them was broken through.

Cave 25 is a large chaitya hall and two side viharas. The walls carved with scenes of the Buddha's life and miracles, including the temptations by Mara's daughters, but the most striking being a huge figure of 7m long figure of the 'reclining image of the Parinirvana (liberation) Buddha', about to enter Nirvana.

Below are figures of his followers mourning his passing away and above are the celestial beings. But almost every trace of its paintings has disappeared.

Cave 27 is virtually a vihara connected to the cave 26 chaitya. There is a great pond in a box canyon 200m upstream from the cave.

These are the wonders of Ajanta. In the days of its glory, hundreds of monks lived and prayed and pondered on the meaning of life and death here. This isolated gorge and the marvels it contains are a tribute to the piety, vision, creativity and sheer determination of the men who chiseled these wonderful caves out of unyielding rock fifteen hundred years ago.

Best Time to visit: The Tourist seasons of Ajanta and Ellora extends almost through out the year.

Timings: From 09 hours to 17:30 Hrs or at sunset whichever is earlier (closed on Mondays and national holidays.)

How To Get There
Air: Nearest Airport is 12kms from the city Aurangabad which is 106kms from Ajanta. Flights link Aurangabad to Delhi, Udaipur, Jaipur and Mumbai. Indian Airlines connects Aurangabad with Delhi and Mumbai (388 km) daily. Jet Airways also has regular flights from Mumbai to Aurangabad. Indian Airlines contact: 91-240-485421.

Rail: Aurangabad is directly linked to Mumbai and Pune. Jalgaon, the nearest railhead on the Central Railways line, is 59 km from Ajanta. Two trains Tapovan Express and Devgiri Express depart daily from Mumbai to Aurangabad.

Road: State buses run from Mumbai, Pune, Ahmednagar, Jalgaon, Shirdi, Nasik, Dhule, Ahmedabad, Hyderabad, Indore and Bijapur to Aurangabad, and from Jalgaon to Ajanta. Maharashtra Tourism Development Corporation (M T D C) operates conducted tours from Mumbai, Jalgaon, Aurangabad etc. One can get bus frequently for Ajanta from Aurangabad.

February 06, 2008

Upward movement of chana takes other pulses northward- Commodities-Markets-The Economic Times

Link: Upward movement of chana takes other pulses northward- Commodities-Markets-The Economic Times.

MUMBAI: An upward movement in chana prices has supported the prices of other pulses like tur, moong and urad that were going down on higher imports, good stock positions and arrivals.

The prices of pulses have gone up between Rs 150 to Rs 200 per quintal.In Bikaner and Delhi, chana is up by Rs 150 per quintal at Rs 2,320, in Indore, the kante wala chana variety traded at Rs 1,251 per quintal which was at Rs 1,175 level 15 days back.

In Jalgaon, chana has gone up to Rs 2,250 per quintal from Rs 2,010. In Jalgaon, price of most of the other pulses has moved up. Tur price has gone up to Rs 2,350 per quintal from Rs 2,100, moong is up at Rs 2,300 per quintal from Rs 2,050 while urad is up at Rs 2,200.Cold weather in the north has affected chana crops in Rajasthan and Madhya Pradesh though the traders in Rajasthan feel that damage may not be much.

Bikaner-based trader Sanjay Agrawal said 10-15% of crop may be damaged since crop is in podding stage. In Madhya Pradesh, however, the damage is not much as the crop is almost ready for harvesting and at some places harvesting has also started.Arrivals of new crop has started from Maharashtra and Karnataka but there has been delay in old crop arrivals from Rajasthan and MP to Delhi.

New crop from MP will come by the end of this month followed by Rajasthan by end of next month. Jalgaon-based pulses trader Satish Mittal said low stocks and arrivals and less imports with a rise in freight charges has led to the rise. “Freight charges to ship a tonne of pulse from Burma to India has gone up to $60 per tonne from $45 and that has also slowed down the imports,” said Mr Mittal.

Government report of a decline in pulses acreage is supporting prices. Pulses acreage declined to 130.7 lakh hectares compared to 137.65 last year and gram acreage is down at 79.31 lakh hectare from 83.08 in corresponding period last year. Amol Tilak from Kotak Commodities said: “Harvest can be delayed and arrivals are already down which is supporting chana. I expect bullishness to be maintained in chana and February contract price can touch Rs 2,500 level within a week.”

On Tuesday, February contract by 4.30 pm was at Rs 2,419 marginally down since Monday due to profit booking. nidhi.


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